Marcel Pagnol Stars: GA, Tatis most consistently enjoyable comedy, a gentle portrait of the clumsy, well-meaning Hulot on holiday in a provincial seaside resort. With Truffaut as co-producer, comparisons with The 400 Blowsare inevitable, but theres very little resemblance between the two films except in theme and refusal to sentimentalise. When an aristocratic woman known only as "Madame de . Pialats methods of close, intimate filming may place him close in many ways to our own Ken Loach, but his interests are rooted in a very cinematic approach to personal inner life, rather than any schematic political theory. | Jean Dast, Although Ophls had to drop a fourth story intended to contrast pleasure and death, these three on old age, purity and marriage are shot with a supreme elegance and sympathy, and the central tale in particular luxuriates in the Normandy countryside. Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. Sylvie, The priest and his superiors stand aloof from Bernadette. A critical and popular hit in France, Le Got des autres(literally, Other Peoples Taste) is a culture-clash comedy with the emphasis on culture. Raymond Aimos, Not Rated Check out some of the. Jean-Luc Godard Ren Lefvre, Stars: Her First Affair (1941) I have listed here my 50 favorite CLASSIC FRENCH FILMS (1923-1969) in increasing order of preference. unable to dream himself, he has stolen the nightmare of a kidnapped orphan. The film received the 40th spot in the list of Critics Top 250 Films in the 2012 Sight & Sound critics poll. Bressons actors models are non-professional and strictly coached; but there is no mistaking the orgasmic pleasure that sweeps the face of indolent, penurious student Michel (Martin LaSalle) as he succeeds on his first dip at Longchamps racecourse; nor his despair as his world begins to fall apart. However, his ill health, a brief return to the debauchery of brothels and drink, and his irrational resentment of his brother Theos failure to sell his work, provoke erratic swings from brooding introspection to frustrated anger. Devilishly suspenseful, Henri-Georges Clouzots thriller about two women who conspire to knock off a sadistic boarding-school headmaster (Paul Meurisse) one of the women is his wife, the other his mistress has all the dark humour and clever tension of a Hitchcock. 86 min Many of us have felt that vertiginous slip from Lord, I am not worthy to Therefore, you will not come to me. This is Bernadettes final temptation. Against all odds, the ensemble is certain that the show must go on; those odds include their Jewish theatrical manager whos gone into hiding, a protagonist whos a member of the Resistance, and the more and more restraining Nazi supervision. Made in 1976, Alain Cavaliers Fill er Up With Super is a well-kept secret among French cinephiles. As relevant as ever, Jean Renoirs 1937 masterpiece La Grande Illusion is a film about common values and decency the ability in all of us to act with respect and warmth towards those with whom we share bonds stronger and deeper than national boundaries and political divisions. The result is not so much a film as an entire artistic vision crammed into 89 of the busiest and most beautiful minutes of celluloid ever shot. Some lovely Hitchcockian games, like the strange ketchup that drips onto a picnic hamburger from a clifftop where the latest victim has been claimed. Crime, Drama, Romance. Kassovitz has made only one film before (the droll race-comedy Mtisse), but La Haine puts him right at the front of the field: this is virtuosic, on-the-edge stuff, as exciting as anything weve seen from the States in ages, and more thoroughly engaged with the reality it describes. Unfolding in Paris, it follows a reporter and his best friend who become entangled in their efforts to expose and stop an unusual covert Les Apaches gang, called The Vampires (who are not actual vampires). Jean-Claude Fourneau, works because its message is in the medium: it reinvents the past to remind us that no artist should be afraid to confront the future. A decade on, though, its easier towhy it was nominated in the first place. DC, Animal as saint: Bressons stark, enigmatic parable, a donkey (named after one of the Three Wise Men) is both a witness to and the victim of mankinds cruelty, stupidity and love. Comedy. Movie magic!) 3. French/Italian co-production: The Butcher: Claude Chabrol: Stphane Audran, Jean Yanne, Pasquale Ferone: Thriller: French/Italian co-production: Cannabis: Pierre Koralnik: Serge With Truffaut as co-producer, comparisons with The 400 Blowsare inevitable, but theres very little resemblance between the two films except in theme and refusal to sentimentalise. A bourgeois life in France at the onset of World War II, as the rich and their poor servants meet up at a French chateau. Yet theres more than a touch of Bresson (even more, however, of Beckers mentor Renoir) to the close-upsthat punctuate the evolving relationship between the escapees and their final discovery of a sort of forgiveness for their betrayer. Stars: The bureaucracy of miracles interrogates her again and again, all the way to the end of her life. | Tatis most consistently enjoyable comedy, a gentle portrait of the clumsy, well-meaning Hulot on holiday in a provincial seaside resort. This expos of a malicious small town in France must be one of the most depressed films to emerge from the period of the German Occupation: everyone speaks badly of everyone else, rumours of abortion and drug addiction are rife, and a flood of poison-pen letters raises the spiteful hysteria to epidemic level. In 1959 Franois Truffaut, neglected son, passionate reader, delinquent student and cinephile, wrote and filmed one of the first glistening droplets of the French New Wave, The 400 Blows, in which Antoine Doinel (Jean-Pierre Laud) demonstrates unforgettably that a good brain and bad parents dont necessarily turn a boy into a talented film director, although they will, one way or another, turn him into a liar. Horror movies, especially supernatural ones, often turn on questions of authority. A young girl living in the French countryside suffers constant indignities at the hand of alcoholism and her fellow man. When she told the priest (played by Vincent Price) that the lady called herself the Immaculate Conception, his resistance began to crumble. Its two-threaded story follows a lovelorn pizza delivery boy voiced in French by Hakim Faris and in English by Dev Patel and a disembodied hand with shades of Thing in The Addams Family as they overcome obstacles (a lack of meaning and inquisitive pigeons) in the search for something ineluctable but elusive. Rene Faure, A Mediterranean villa. 85 min Mr Legrand (Simon), a mild-mannered, middle-aged cashier, paints as a means of expression, of escape from his shrewdish wife and the tedium of his job. The March for Life has always had one message: End Roe v. Wade. Nane Germon, Votes: CC, Godards return to celluloid after a decade of video is in one sense forced: his finances were drying up, and he himself admits that the film was made as a passport back into the business. The instigator is mother and grandmother Junon (Catherine Deneuve), whos. Annabella, Thank you, Eve and don't all the male commenters finding it 'silly' etc. After a failed suicide, Claude Ridder (Rich) is visited by two men who invite him to take part in an experiment (already tried with a mouse) to project him into the past to see if he can recapture a moment of his life (since he has no wish to live, and therefore has no future, he is the perfect subject). (A colour and detail-enhanced Imax version restores, a previously omitted 11-minute song-and-dance number. Love. The tapes and the flashbacks, we are led to believe, are linked and Georges becomes convinced that the videos are connected to an Algerian, Majid. $0.15M, Not Rated These cookies track visitors across websites and collect information to provide customized ads. Charles Vanel, Copyright 2023 America Press Inc. | All Rights Reserved. Claire Maurier, | GAD, Although one of Jacques Demys final films, Une Chambre en Ville had been in the works for several decades before it was finally produced in 1982. It has been accused of valuing style over substance, but place the film in its historical context and its true intent is revealed: in the wake of unimaginable horror, this kind of fantasy is still achievable, and perhaps more important than ever. Saturnin Fabre, during the 1940s.6 Following the period of rapprochement between the French and German film industries of the 1930s, relations cooled considerably. The WP Diamonds process is simple, fast and secure. | Gross: A Trip to the Moon is a cinematic legend in its own right. Unlike so many same-sex-themed films that focus on coming out as the defining gay experience, Blue is the Warmest Colour glides past that stage of Adles life in a bold chronological leap, finding more nuanced drama in the evolving challenges of maintaining an unfixed sexuality. Rgine Blaess, Not Rated A small gem, polished to perfection by an unassuming professional. TM, Castella (Bacri) is an industrialist, married, who in his own world, is king. Most will be swept off their feet by Michel Legrands scintillating jazz-pop score, charismatic supporting turns from Gene Kelly, Danielle Darrieux and Michel Piccoli, and predominantly Demys own infectious joie de vivre. Bressons actors models are non-professional and strictly coached; but there is no mistaking the orgasmic pleasure that sweeps the face of indolent, penurious student Michel (Martin LaSalle) as he succeeds on his first dip at Longchamps racecourse; nor his despair as his world begins to fall apart. Some of Hollywood's best directors, John Ford, Frank Capra, John Huston and William Wyler, made Signal Corps documentaries or training films to aid the war effort, such as Frank Capra's | A pianist helps his brother escape from two gangsters, who retaliate by abducting their kid brother. If you login and register your print subscription number with your account, youll have unlimited access to the website. Blue is the Warmest Colour is a minutely detailed, searingly erotic three-hour study of first lesbian love. Literally explosive, the plot concerns a South American oil fire raging out of control, with only the possibility of a nitroglycerine blast to snuff it out. When she hears of a high-class madam (Page) who operates a brothel out of her apartment, Sverine takes a day job as a classy whore servicing middle-aged businessmen. La Maison Tellier, the longest episode, deals with a days outing for the ladies from a brothel, and a brief romance. Crime, Drama, Romance. | Most will be swept off their feet by Michel Legrands scintillating jazz-pop score, charismatic supporting turns from Gene Kelly, Danielle Darrieux and Michel Piccoli, and predominantly Demys own infectious joie de vivre. | Michel Piccoli, Mila Parly, In a French provincial town, Henri Menard (Bacri) runs the old family restaurant where the clan convenes every Friday night. Much about Enter the Void is rotten. At the heart of this ambiguous world is Silien (Belmondo), by repute a professional informer, who juggles twin friendships with a police inspector (Crohem) and a burglar (Reggiani). On to this slim story, writer-directors Jeunet and Caro pile a wealth of delicious comic detail. He follows her in his car, but she soon disappears and he bumps into Vidal (Antoine Vitez), an old friend and teacher at the local university. And sure, a lot of it can be hard for non-scholars to grasp pioneering New Wavers like Jean-Luc Godard and. Delon impossibly beautiful, impossible to read, cold, cool steals the film here, and the most powerful scenes are on Ripleys yacht, when Clment allows himself most freely to indulge the storys otherwise muted homoerotic edge. Franois Truffauts original feature is also deeply personal and is considered autobiographical. The director of Hidden and The White Ribbon offers an intimate and brave portrait of an elderly Parisian couple, Anne (Riva) and Georges (Trintignant), facing up to a sudden turning point in their lives. This is a confessional fantasy about a generation of men now in middle age, alienated from their sexuality, dissatisfied with their commerce, and unwilling to cope with a new sexual/political order. Michel Simon, We uncover the best of the city and put it all in an email for you. The 60s trappings and jazz-meets-psychedelia score are treasure enough in themselves, but its Derays beady concentration on the pointed silences and angled looks which really turn the screw. Day for Night is hilarious and informative, and in the pantheon of films about filmmaking, it strikes a neat balance between the operatic neuroses of 8 1/2 and the warm, pastel-hued nostalgia of Singin in the Rain. La ville sicilienne de Castelcuto est en liesse. Valentine Camax, Passed | , youre sure to discover something new in this countdown of the best French films released between 1902 and 2022. Its a depiction of a French language teacher, Franois Marin, in a secondary school in Pariss hard-scrabble 20th arrondissement thats told with sympathy and compassion for adults and students alike. Mild-mannered, unemployed music teacher Clement Mathieu is hired as a house master at the Fond de lEtang boarding school for troubled children. Manuel Raaby, 88 min The Song of Bernadette is an extended confrontation between a peasant girl and every single power of this world. We are proud partners of Ecologi, an environmental conservation organization dedicated to restoring forests and combating climate change through tree planting. Catherine Hessling, Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways. Short, Drama, Fantasy. What we all needI too suggest seeing the movie for yourself.a Classic. Nothing about the films coming-of-age narrative, nor the rise and fall of its core romance, is intrinsically new or daring, yet Kechiches freewheeling perspective on young desire is uncommon in its emotional maturity. Graziella Galvani, Paulette Dubost, Even in the butchered version distributed in Britain (dubbed and cut to 102 minutes). You also have the option to schedule an in person appointment at our offices in NYC or London. Raymond Clunie, Not Rated (In actuality, it was the eyeball of a dead horse getting slit open. Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. Drama, Romance. Carl Theodor Dreyer Fuller replies: Film is like a battleground. The go-to source for comic book and superhero movie fans. Beginning in 1938 with the Munich Crisis, France began preparing for war with Germany, and on 10 May 1940 Germany invaded France through 7the Ardennes Forest. Cantet (who parents were both teachers) has the actual teacher on whose book The Class is adapted from, Franois Bgaudeau, playing Marin. Dont be surprised if were still referencing this one in 25 years. Comedy. Stars: Each decade of the 20th century had a lot to offer when it comes to great French movies. This is a wild-eyed cross-processing of artistic, political and personal concerns, with a story that stutters, splinters and infuriates its way to an explosive finale. My favourites cinematographers and directors of photography, My 25 favourite directors working for the european classical cinema. | drama is entirely aural (a play of off-screen voices blending with Carlos dAlessios utterly compulsive score), and the elegant visuals counterpoint it by creating an atmosphere of sumptuous enervation. GA, Directors: Michel Hazanavicius and Dominique Mzerette, In 1993, Warner Bros. authorised Canal+ to use clips from WBs back catalogue, resulting in Canal+'s Le Grand Dtournement, one of the weirdest, most hallucinatory films of all time. Jesus shows us the way. | Sometimes, as when Morgan contemplates the dead starfish which Gabin has given her, it feels precisely like the last European movie of the 30s. The film gives us Jean-Louis (Jean-Louis Trintignant), a dapper 34-year-old engineer with a good line in wry, toothy smiles who works for Michelin in Clermont-Ferrand. And although theyre more overtly erotic, can we call the likes of Deep End (1970), Bitter Moon (1992), Breaking the Waves (1996) and Intimacy (2001) British given complex co-production funding, multinational casts and directors hailing from Poland, France and Denmark? | This dubious trinity plans a heist facing terrible odds, till an unyielding inspector and their personal demons and histories seal their destinies. Audran and Bouquet, as the first of Chabrols recurring Charles/Hlne couples, are superb in discovering secret parts of each other denied as much by complacency as, At first, Kechiches follow-up to the admirable La Faute Voltaire looks set to be a fairly routine account of life in the Maghrebi hood, with 15-year-old Krimo mooning over Lydia while his ex insists. All the male commenters finding it 'silly ' etc in his own world, is king detailed. 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